![]() ![]() In one story he is a truth-teller, in the other he is an outcast both are important to Carr's biography, as primary scenes in the artist's mythology.įire in the Belly goes on to map the full arc of Wojnarowicz’s life and work, placing each carefully in context. He also told one in which he was a street kid surviving by his wits, a child runaway, and then a Times Square hustler. 'We all die! One day we will all be dead!' As he told his friends," Carr writes, "they burst into tears, parents rushed out of their houses and David was seen as a very sick little kid." This was a story he liked to tell about himself. CYNTHIA CARR OPENS Fire in the Belly, her biography of David Wojnarowicz, with a story about the artist as a child of six or seven running through the streets, "giddy with what he'd just learned. ![]()
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